About Minichix Studio.

I sculpt miniatures because I got tired of painting ones that fought back.

I’m Minichix, a 3D sculptor and miniature painter. I make STL miniatures for display. They are designed for painters and collectors seeking more than basic files.

I began sculpting because I wanted figures that felt more real. Too many models look great in renders but become frustrating to paint. The proportions seem off, the poses feel awkward, and the details get in the way of good brushwork.

So, I decided to sculpt my own.

What I Create.

My work includes contemporary, science fiction, and fantasy themes. I sculpt busts and full figures in various scales, depending on the idea and how they’ll be displayed.

Some pieces fit nicely in a compact 75mm size. Some look better as larger display figures or busts. This way, details and expressions really shine. The focus is always the same. It is a strong structure, a clear design, and a great painting experience.

I make my models for a worldwide community of miniature painters and collectors who value quality and good design.

Since I release STL files, you can print the models whenever it works for you, using your own resin printer. There’s no factory production, no plastic packaging, and no international shipping. This reduces transport emissions, excess packaging, and wasted unsold stock.

Digital distribution also means no overproduction. You print only what you need, when you need it. Nothing sits in a warehouse or gets thrown away because demand was off.

I can’t control how resin is made, but I can control how I deliver my work. Staying digital cuts down on extra materials and reduces the overall impact of each release.

How I Approach Sculpting.

Every project begins with a clear idea and plenty of practical planning.

I focus on:

Anatomy and balance
A pose with a clear silhouette.
Stability on the base
Printability
How will light travel across the forms.

Because I paint my own work, I understand what painters face daily. Some areas need texture, others should be simple. The eye needs places to rest and clear structure. When anatomy is even slightly off, you might not know what’s wrong exactly, but you can definitely feel it. I keep all this in mind when I sculpt.

My figures feel well-grounded and stable. If a part lifts off the base, it’s well supported. I design real objects, not digital shapes that don’t translate well in physical world.

What You Can Expect.

STL files that are prepared for resin printing.
Clear designs that make painting easier.
Strong anatomy and natural poses.
Models that stand out on display.

I don’t release large monthly bundles. Instead, I focus on fewer pieces and make sure they’re done correctly.

My Approach to the Craft.

Painting and sculpting influence each other in my process. I’m always testing, adjusting, and refining. Competitions, tight deadlines, and failed ideas have shaped how I work. Every project teaches me something valuable.

I’ve learned to simplify without losing impact.
I’ve learned that good structure saves time later.
I’ve learned that clear forms make painting easier.

I’m always refining, testing, and adjusting.

I want my models to support your skills, not get in the way.

If you appreciate clean anatomy and strong composition, you’ll feel right at home here.

Take a look around the shop, check out the tutorials and articles, and grab a model to make your own.

You can also follow my work and process here:

Painting Awards

Over the years I took part in several miniature painting competitions, both local and international. My work as a miniature painter, and recently sculptor, has been recognised with several awards in categories such as fantasy busts, historical figures, and large models.

Selected Awards

2026

Bronze – Fantasy category, South Cheshire Militaire (Lioness)
Bronze – Historical category, South Cheshire Militaire (The Defeated)

2024

Gold – Busts & Flats category, South Cheshire Militaire (display)
Silver – Fantasy category, Sword & Lance (Alfonso the Sad Pirate)

2023

Silver – Open category, Fen Model Show (display)

2016

Gold – Painted Historical Bust, Euromilitaire (Germanic Warrior)
Silver – Historical Figures Masters, Scale Model Challenge (Germanic Warrior)

2014

Gold – Painted Fantasy Bust, Euromilitaire (Capt’n Sapo)

2011

Gold – Fantasy category, Euromilitaire (Little Alice)
Gold – Large Model category, Hussar (Anton the Infected)
Silver – Fantasy Monster category, Salute (Eclipsante)

Selected Award-Winning Work

Frequently Asked Questions

Before you explore the shop or tutorials, here are a few common questions about how and why I work the way I do.

Why do you sculpt?

To be honest, I started sculpting to learn a new skill that would complement my painting. Very quickly I realised that it would give way more. I had a chance to create the miniatures I had always wanted to paint but couldn’t find anywhere.

There are many beautiful miniatures on the market, but at the same time, there are a lot of bad ones. I was frustrated by miniatures that looked great in the producer’s photos, but felt awkward under the brush. For me, anatomy, proportions and surface planning matter more than flashy details.

Why does painter focused design matter?

In traditional clay sculpting, the level of detail was limited by physical reality. You simply could not sculpt details so small that a painter could not handle them. Digital sculpting removed that limitation.

With a zoom function and high-resolution printers, you can add endless micro-details. That does not automatically improve the miniature. It is easy to overcomplicate a figure.

Detail is important. So are calmer areas that allow the eye to rest. A miniature needs structure and breathing space. Otherwise, painting becomes harder than it needs to be.

Why do you release fewer pieces?

I work alone for now, and each bust and miniature takes time to develop properly. I test, refine, and adjust my projects before releasing anything. I prefer to release fewer models and stand behind their quality rather than increase output for the sake of numbers.

Rushed releases lead to compromises. Fewer releases allow me to focus on structure, balance, and print reliability.

Why STL instead of physical products?

Digital files simplify the entire process both for my clients and me.

I do’t need to deal with casting, storage, or international shipping. That reduces overhead, limits unnecessary material use, and environmental impact.

For painters, it means flexibility. You can print the model when it suits you, in the scale you prefer, without waiting for delivery. There is no excess packaging and no transport emissions tied to each purchase.

Digital distribution avoids overproduction and keeps the process efficient and controlled.